Intricately linked to postcolonial realities, this essay delves into the visual-cultural connections between the establishment and challenging of white-centric perspectives, with a special focus on resistance to, as well as (re-)appropriations of, visual coloniality by non-white communities.[1] As I show, these (re-)appropriations were partly ambiguous, and cannot be fully explained by exclusively applying Eurocentric theories of collective memory. Instead, I … Read More